data vs Octopus.
Monday, February 28, 2011
Can You Use A Prepaid Visa Bangbros
Life is hard - in Hollywood. Marko actor Johnny has a problem: he can really be no time for life: as an actor in demand as he rushes from meeting to meeting, mask impression here, as press conference, photo shoot with bitchy ladies there. The evening is dominated by trips in the hotel bar. Occasionally two scantily-clad dancing girls doing gymnastics on their imported rods by Johnny Markos hotel room. If there is still some time, he meanders aimlessly with his black Ferrari in the city. Johnny's life is filled - with go-getting bored. In fact, he had therefore time for his daughter. But all is not as simple as that. Especially as his sexual life promises nightly highlights.
Johnny is a star, he lives in the hotel "Chateau Marmont" on Sunset Boulevard, a house that is as famous as the guests stay there, or even live there - just like Johnny. If he drives through the city, he looks himself in the face, as the oversized billboards announce his next film. At press conferences, he is the focus - must toil with the curious questions of the journalists around  . |
withdrawn Sofia Coppola directed this story. In a quiet narrative pace, she describes the boring everyday life, which - subtracting fame and money - not overly different from that of other mortals. It is about drudgery, the time between order and difficult to decipher the feeling that there still must be more.
Elle Fanning as Cleo 2010
cinematographer Harris Savides uses for SOMEWHERE back to static medium shot. Photo grafiert-often from the indirect perspective, the actors always anchored in the spaces through which they move. The audience is both the observer and some of the film. This is emphasized again by subjective attitudes, not the usual dramatic knitting patterns are cut accordingly, rather than minute-long sequences in the film; invitations to the thought experiment about the actual state of the character Johnny Marko.
evening at the Hotel Man and his hunger for a brief moment of genuine Gück, complicity with a father and daughter. Whether Johnny and Cleo would understand the odd couple Charlotte and Bob the best. Determined  Sofia Coppola SOMEWHERE - an honest, clear, great movie. |
| SOMEWHERE USA 2010 | 98 minutes
editor: Sarah Flack
Music: Phoenix Starring: Stephen Dorff, Elle Fanning, Chris Pontius, Michelle Monaghan
(published Revised manuscript text first as a radio review in the "film highlights" from 11.10.2010)
(c) Images: Tobis Film Distribution 2010
 breathing surfaces formally indulges really is, despite or perhaps because 2D is a striking touch. The entry sequence followed a dinner in a stately villa in Milan. We witness the preparations of the staff, meticulously food is cooked, the seating order tuned prepared the table. The family gradually accumulates, evaluates the day, reads the salmon-colored daily press, the head of the family, the grandparents arrive, chatting briefly with the staff, their fine fur coats lay in his arms. While the mistress of the house, Emma her name, slips into a dressing room in evening dress and help it from her husband leaves. |
accidentally falls into the hands of her an indication that their daughter might well be a lesbian. But that does Emma true only in passing. One of her sons, Eduardo towed to a friend, Antonio, a talented young chef. The film stages the first meeting of Emma and Antonio casually, for Emma it's just a friend Antonios. First, more subtly unravels from this meeting an affair. Ironically, a lunch with a prawn, prepared by Antonio, is for Emma to a kind of awakening experience. It goes without saying that I AM LOVE even the food is celebrated and part of the whole.
Italy 2009  119 minutes Director: Luca Guadagnino book: Luca Guadagnino, Barbara Alberti, Ivan Cotroneo, Walter Fasano | Camera: Yorick Le Saux
| Starring: Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Alba Rohrwacher, Pippo Delbono, Maria Paiato, Diane Fleri, Waris Ahluwalia, Gabriele Ferzetti, Marisa Berenson |
(c) Images: MFA + Film Distribution 2010
has gone to one of the parties already. Theo, a man about 50 has been abandoned. Contrite he is sitting home on his dark leather couch, looks a bit taken. He calls someone, a woman. She is not thrilled with his call, he wants to leave them alone. He tried to escape to on the phone everyday, she puts on some point unnerved Changing Places. Airport, in Paris, more Paris Orly airport. We see different people as they enter the airport to pick up their tickets and wait. On a small bench, a man and a woman come into the conversation.
enter into conversation: "Where do they fly?", "Where do they come?" "Why were they here?" - Dialogue between people who know do not imagine one another by their first names and what they carry. Bags, suitcases, coats. Actually, it then remains superficial. But the first couple to see where we come into the gossip. From ignorance of the other is a vague idea about the comparison, only based on his stories. This is here for protagonists and audiences alike. has gone to one of the parties already. Theo, a man about 50 has been abandoned. Contrite he is sitting home on his dark leather couch, looks a bit taken. He calls someone, a woman. She is not thrilled with his call, he wants to leave them alone. He tried to escape to on the phone everyday, she puts on some point unnerved Changing Places. Airport, in Paris, more Paris Orly airport. We see different people as they enter the airport to pick up their tickets and wait. On a small bench, a man and a woman come into the conversation.
Who needs the label, which will entitle Angela Schanelec ORLY quiet as a film of the so-called "Berlin School". For ORLY honors are among the "Berlin School" of this label, which is the bombastic German cinema so hated. But actually that's completely irrelevant. ORLY ORLY stands for itself is a great film.  ORLY Germany / France 2010 83 minutes |
| Music: Cat Power ("Remember Me") Editor: Mathilde Bonnefoy Starring: Bruno Todeschini, Natacha Regnier , Mireille Perrier, Maren Eggert, Emile Berling, Josse de Pauw, Jirka Zett, Lina Falkner |
(c) Images: Piffl film distribution in 2010
Thus it is, "As a director and as a writer because you can really only over-lifting, because the phenomenon is facebook in its scope can hardly be estimated. Whether and if so, what implications will facebook for the future of communication, is also hardly conceivable. Furthermore, facebook, such as the Internet itself, abundant unhaptisch and a fortiori for film elusive. A monitor with a blue interface is also only a monitor with a blue interface, even on a movie screen. And trickling columns of numbers from green to blue recolor, dare not even the recreational directors on Youtube. frustrated flits Mark Zuckerberg then only on the university campus homecoming. The camera follows him to the very long road, enough time for the opening credits. At some point in the image fades in a small blue bar and the word "The Social Network" appears. Actually, at that moment said it all.
Eduardo Severin (Andrew Garfield) and Mark Zuckerberg (Jesse Eisenberg) Nations will be used every day. You have to these dimensions in the film repeatedly call you back in your head, because we actually see all the time just an incredibly well-staged, but simple campus-movie, nerds and nerd among themselves. The young elite, with rich parents, more intelligence than empathy and lots of human corpses under the bed. Is broken by the buzz of two parallel assembly, in which Mark Zuckerberg has to approve of hearings in the complaints of his ex-companions Eduardo Severin (Andrew Garfield) and ehmemaliger fellow students.
the microcosm of the Hollywood elite elite schools have always found attractive. But more than that here is a director fascinated by such an isolated phenomena. David Fincher's films live from the collapse of closed territories in Austell, no matter whether fictitious or not. Whether it's the FIGHT CLUB, it is the involuntary partnership of two policemen in the face of horror in seven, or the delusional search for a serial killer in Zodiac. These islands of madness pull Fincher magically. In THE SOCIAL NETWORK have a lust for fame and money. The other, led by the film character Mark Zuckerberg, are obsessed with their own ideas and the ingenuity with which they can still implement your idea. Extreme characters and create: You can see from the film that its director have felt like in paradise needs.  |
| Mark Zuckerberg (Jesse Eisenberg) voluntary and exhibitionists. And they effectively ignore how miserable you can be lonely in the presence of hundreds of virtual friends. David Fincher's THE SOCIAL NETWORK and his film character Mark Zuckerberg unmistakably call to mind how this feels loneliness. A great piece of cinema! |
Director: David Fincher
book: Aaron Sorkin historical document: Ben Mezrich (book "The Accidental Billionaires" / "billionaire by accident") Camera: Jeff Cronenweth
music: Trent Reznor Atticus Ross & Editor: Kirk Baxter, Angus Wall
Starring: Jesse Eisenberg (Mark Sugar Hill), Andrew Garfield (Eduardo Saverin), Justin Timberlake (Sean Parker), Joseph Mazzello (Dustin Moskovitz) film highlights
06.10. 2010)
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The shadow is a thriller, a detective movie, a TV crime that has nothing to do here at all - fortunately. We support a professional in his work, cool and precise Trojan makes his moves. There is never too many names, never know anyone more than necessary. Caution is all because too many pursue their own interests. There is a corrupt cop, there are competitors who do not shrink even from murder. Too many, too close contact could endanger Trojan and vice versa. Inhumane acts of this milieu: the fixation on the prey, money is the only fixed star and drive to their existence. Depressing.
IN THE SHADOW  D 2010 | 86 minutes
| Camera: Reinhold Pre |
D: Misel Maticevic (Trojan), Karoline Eichhorn (Dora Hill man), Uwe Bohm (René Meyer, Hanns Zischler (the plan)
Rental: Peripheral
 | (published Revised manuscript text first as a radio review in the
| film highlights |
Sunday, February 27, 2011
Community Sercive Letters
1077 singing (and many others. ) as a remedy many ills: the opposite of a solidified Gesellschaft/33 Here:.. ensembles Thomas Quasthoff
to match what runs in the newsletter of the AOK, the blogger in the FAS refers to a report today on the baritone Thomas Quasthoff. Under the title "Sing me the song before it's dead." It says about him. "He was one of his own very conscious concert-singer, blessed with a sense of realism and incredible specific colors and expressiveness, specializing in the German romantic piano song and oratorio, and also if Quasthoff sing now anything can sing what he wants, anywhere in the world, yet it is the small Song with his private secrets of the true musical home for him still. Hymn The "
Weil is but the song singing hardly cared more, the artist competition" has been established. "And he has, according to representation of the journalist Eleonore Büning prominent colleagues drummed that are under his leadership, three reliable sponsors -. Arend und Brigitte Oetker and Johanna Quandt - stood at the work of the jury in the background, which is composed of the Bayreuth-head Eva Wagner-Pasquier, the soprano Annette Dasch, and the chamber singer Brigitte Fassbaender. The Commission shall transmit an opera house in Innsbruck and the Strauss Festival. There are also still the tenor Robert Gambill, the Wigmore Hall director John Gilhooly, and the "piano accompanist legend" Charles Spencer. In this competition, held this year for the second time, there are scholarships for a total amount of 65 000 € to win. This is still an abundance of commitment conveys. will Quasthoff is in the run with him talk to realize he is very much regret that, for example with them invariably choose the Hanns Eisler Hochschule in Berlin, all vocal students, the professional opera and no study on the concert. And this in a situation he outlined as follows: "We know, however, that the musical theater one by one other and merge to be shut. ? Where will later sing "
As always reticent in his appearance, the artist says about herself:" There are hundreds of singers who can sing better than me. But whether they also can put people like me? I think there are few. And the great thing is: It always works, no matter where and no matter what repertoire. ... I am no longer as bitter as before. " with the latter statement, he refers to his disability. What he was not allowed to enter the legitimate music business. Because of a few have for the piano missing fingers they denied him even a role only as guests. "'Cripple' he calls himself, one of his jokes goes like this:" Eighty million German I have a disability you have it right away.. '" How fortunate that one of us not to the 80 million counts, but always be there with passion, when in one of his choruses, the song is sung, which is characterized by the following refrain: "In the air, the freedom probably limitless .. .
to match what runs in the newsletter of the AOK, the blogger in the FAS refers to a report today on the baritone Thomas Quasthoff. Under the title "Sing me the song before it's dead." It says about him. "He was one of his own very conscious concert-singer, blessed with a sense of realism and incredible specific colors and expressiveness, specializing in the German romantic piano song and oratorio, and also if Quasthoff sing now anything can sing what he wants, anywhere in the world, yet it is the small Song with his private secrets of the true musical home for him still. Hymn The "
Weil is but the song singing hardly cared more, the artist competition" has been established. "And he has, according to representation of the journalist Eleonore Büning prominent colleagues drummed that are under his leadership, three reliable sponsors -. Arend und Brigitte Oetker and Johanna Quandt - stood at the work of the jury in the background, which is composed of the Bayreuth-head Eva Wagner-Pasquier, the soprano Annette Dasch, and the chamber singer Brigitte Fassbaender. The Commission shall transmit an opera house in Innsbruck and the Strauss Festival. There are also still the tenor Robert Gambill, the Wigmore Hall director John Gilhooly, and the "piano accompanist legend" Charles Spencer. In this competition, held this year for the second time, there are scholarships for a total amount of 65 000 € to win. This is still an abundance of commitment conveys. will Quasthoff is in the run with him talk to realize he is very much regret that, for example with them invariably choose the Hanns Eisler Hochschule in Berlin, all vocal students, the professional opera and no study on the concert. And this in a situation he outlined as follows: "We know, however, that the musical theater one by one other and merge to be shut. ? Where will later sing "
As always reticent in his appearance, the artist says about herself:" There are hundreds of singers who can sing better than me. But whether they also can put people like me? I think there are few. And the great thing is: It always works, no matter where and no matter what repertoire. ... I am no longer as bitter as before. " with the latter statement, he refers to his disability. What he was not allowed to enter the legitimate music business. Because of a few have for the piano missing fingers they denied him even a role only as guests. "'Cripple' he calls himself, one of his jokes goes like this:" Eighty million German I have a disability you have it right away.. '" How fortunate that one of us not to the 80 million counts, but always be there with passion, when in one of his choruses, the song is sung, which is characterized by the following refrain: "In the air, the freedom probably limitless .. . 
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Florian Siepert - Coping with the 
pop press 
6th Feb. 2010 ... Dealing with the press
bang. Mainly picture blog works its so tirelessly for several years after the fact, again and again in
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pop press
5th Michaela Eichwald »Blog Archive» incommensurable pop press
28th May 2007 ... 7 Responses to "incommensurable bang Press. . Admin On 4 April 2010 at 01:44 clock. This pain. . Admin On 4 April 2010 at 11:09 clock ...
www.uhutrust.com/2007/05/.../inkommensurable- pop press /
6th Pfitzinger, Hegemann, pop press
pop press -962 930 /
7th
Florian Siepert - Coping with the pop press 8th Feb. 2010 ... A blog by Florian Siepert - Pfitzinger, Hegemann ...
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8th
Pfitzinger, Hegemann, pop press > Webchoice
bang Press. 8:54 To 8:54 clock appear here Monday through Friday, hand-picked links to webchoice.de/items/view/.../pfitzinger-hegemann- pop press
.......... therefore come to the forces of slime-Ender only way could be fined media: in the long run it will get about as well but that a paragon of cunning in the pursuit of its ambitious goals basically no confidence can be placed in.
PS: Guttenberg, the Guttenberg, may appreciate some people even as bright head, which contributes to ensuring that our little country develops the appeal, which was held in the following satellite image: from people of our shock - Blogger uses the plural Majestatis here once - but he is considered to be rather dull cup. The halt has tried in vain to fish in troubled waters in her doctoral thesis.
Note: Anyone who comes with the Firefox browser to the site is better advised to use the Internet Explorer, Apple's Safari or Google Chrome:
http://www.google.com/chrome/intl/de/landing_win.html?hl=de
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